GERARDO SIERCHIO
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Grand Piano Blüthner
Julius Blüthner established his workshop in Leipzig, Saxony in 1853. This accomplishment was only achieved after a long and difficult campaign to gain Leipzig citizenship. Julius started his endeavor with himself and three other craftsman. A deeply religious man, Julius spoke the defining words that would allow his company to survive and flourish for the next 162 years, "May God Prevail". The age of any particular Blüthner piano can be determined by matching its serial number to the age table freely available on the Blüthner website.[5]
By 1900 Blüthner had become the largest piano maker in Germany, producing some 5,000 instruments annually. Innovations such as the Aliquot string, a fourth string that vibrated sympathetically and that is tuned in unison as well as the cylindrical soundboard and angle cut hammers, created a unique voice for the Blüthner instrument.
Steck Baby grand
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Steck was a brand of pianos manufactured from 1857 to 1985. They were initially made by George Steck & Company before combining with the Aeolian Company in 1904. The Aeolian Company went bankrupt in 1985. The Steck piano brand was then sold to Sohmer & Co., and then to America Sejung Corporation, which dissolved in 2013.
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George Steck & Company had a performance hall known as Steck Hall, which was also the site of several notable speeches.
William de Blaise single Harpsichord
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The harpsichord was made around 1975 by William de Blaise in elegant Walnut veneer. The concave curved body with hinged lid rests on three conical legs. The claviature of the two manuals consists of black and white plastic. The harpsichord is equipped with a foldable music stand, a coupler and four pedals.
Yamaha U1
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The Yamaha U1 Upright belongs to the U Series Class of pianos. It is made in Japan and was designed for professional musicians. They have outstanding tones and touch that will last for many generations. The U1 Upright is by far the most popular upright piano in the US.
Virginal
A virginal is a smaller and simpler rectangular or polygonal form of harpsichord with only one string per note running more or less parallel to the keyboard on the long side of the case. Many, if not most, of the instruments were constructed without legs, and would be placed on a table for playing. Later models were built with their own stands
Harpsichord John Feldberg
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harpsichord, keyboard musical instrument in which strings are set in vibration by plucking. It was one of the most important keyboard instruments in European music from the 16th through the first half of the 18th century.
Mandolin From Naples 1800
Development in Italy, birth of Neapolitan mandolin. The mandolins they made changed over generations, from mandolinos with flat soundboards and gut-strings, through mandolins with a bent soundboard and bronze or bronze-and-gut strings, into mandolins with bent soundboards that used steel or steel-and-bronze strings
Bandurria
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Prior to the 18th century, the bandurria had a round back, similar or related to the mandore.[1] It had become a flat-backed instrument by the 18th century, with five double courses of strings, tuned in fourths.[1] The original bandurrias of the Medieval period had three strings. During the Renaissance they gained a fourth string. During the Baroque period the bandurria had 10 strings (5 pairs).
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The modern bandurria has 12 strings (6 pairs). The strings are tuned in unison pairs, going up in fourths from the low G#. The lowest four strings are a major-third above those of a standard guitar and the highest two strings are a fourth above a standard guitar, i.e. G♯, c♯, f♯, b, e and a.[2]
Violin
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The violin, sometimes known as a fiddle, is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use.[a] The violin typically has four strings (some can have five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno).
Tampura
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The tanpura (Sanskrit: तंबूरा, romanized: Taṃbūrā), also referred to as tambura and tanpuri, is a long-necked plucked string instrument, originating in India, found in various forms in Indian music.[1]
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It does not play melody, but rather supports and sustains the melody of another instrument or singer by providing a continuous harmonic bourdon or drone. A tanpura is not played in rhythm with the soloist or percussionist: as the precise timing of plucking a cycle of four strings in a continuous loop is a determinant factor in the resultant sound, it is played unchangingly during the complete performance.
Santoor
The tanpura (Sanskrit: तंबूरा, romanized: Taṃbūrā), also referred to as tambura and tanpuri, is a long-necked plucked string instrument, originating in India, found in various forms in Indian music.[1]
It does not play melody, but rather supports and sustains the melody of another instrument or singer by providing a continuous harmonic bourdon or drone. A tanpura is not played in rhythm with the soloist or percussionist: as the precise timing of plucking a cycle of four strings in a continuous loop is a determinant factor in the resultant sound, it is played unchangingly during the complete performance.
Dulcimer
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The Appalachian dulcimer (many variant names; see below) is a fretted string instrument of the zither family, typically with three or four strings, originally played in the Appalachian region of the United States. The body extends the length of the fingerboard, and its fretting is generally diatonic.
Napleshas played an important and vibrant role over the centuries not just in the music of Italy, but in the general history of western European musical traditions. This influence extends from the early music conservatories in the 16th century through the music of Alessandro Scarlatti during the Baroque period and the comic operas of Pergolesi, Piccinni and, eventually, Rossini and Mozart. The vitality of Neapolitan popular music from the late 19th century has made such songs as'O Sole mio and Funiculì Funiculà a permanent part of our musical consciousness.
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A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones[1] or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'.
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Accordions (from 19th-century German Akkordeon, from Akkord—"musical chord, concord of sounds")[1] are a family of box-shaped musical instruments of the bellows-driven free reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. The essential characteristic of the accordion is to combine in one instrument a melody section, also called the diskant, usually on the right-hand manual, with an accompaniment or Basso continuo functionality on the left-hand. The musician normally plays the melody on buttons or keys on the right-hand side (referred to as the manual), and the accompaniment on bass or pre-set chord buttons on the left-hand side. A person who plays the accordion is called an accordionist. The concertina and bandoneon are related, but do not have the diskant-accompaniment duality. The harmoneon is also related and, while having the descant vs. melody dualism, tries to make it less pronounced. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floo
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woodwind, any of a group of wind musical instruments, composed of the flutes and reed pipes (i.e., clarinet, oboe, bassoon, and saxophone). Both groups were traditionally made of wood, but now they may also be constructed of metal.
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Woodwinds are distinguished from other wind instruments by the manner in which the sound is produced. Unlike the trumpets or other instruments of the brass family, in which the airstream passes through the player’s vibrating lips directly into the air column, the flutes are sounded by directing a narrow stream of air against the edge of a hole in a cylindrical tube. With the reed pipes (e.g., clarinets and saxophones), a thin strip of flexible material, such as cane or metal, is placed against the opening of the mouthpiece, forcing the airstream to pass through the reed before it reaches the column of air that is to vibrate. In double-reed instruments (oboes and bassoons), two thicknesses of reeds are used. The woodwind section of a band or orchestra usually consists of three flutes, one piccolo, three oboes, one English horn, three clarinets, one bass clarinet, three bassoons, and one contrabassoon.
The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica include diatonic, chromatic, tremolo, octave, orchestral, and bass versions. A harmonica is played by using the mouth (lips and tongue) to direct air into or out of one (or more) holes along a mouthpiece. Behind each hole is a chamber containing at least one reed. The most common is the diatonic Richter-tuned with ten air passages and twenty reeds, often called the blues harp. A harmonica reed is a flat, elongated spring typically made of brass, stainless steel, or bronze, which is secured at one end over a slot that serves as an airway. When the free end is made to vibrate by the player's air, it alternately blocks and unblocks the airway to produce sound.
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